Adam
Penna
When I write in a strange
voice, I become more myself.
I frequently attempt poems in the voice of another personality. These are a
useful way of practicing what John Keats called
Negative Capability, which he defined as the ability
to be in mysteries, uncertainties and doubts without
irritably reaching after fact and reason. Keats
claimed that all poets had to possess this Negative
Capability, and I think he is right. If poetry
is to help us at all, it must help us be more
comfortable or, rather, less irritable, when we
are in uncertainty. After all, who isn't in uncertainty?
Nothing but what has happened already is certain,
and there are times when I am even uncertain of
that. An observant person notices, I think, that
the greatest illusion is that things will certainly
go a certain way. Today, I assume that I will
rise up from my chair, take up my car keys, leave
my house and drive to work. I assume this because
it has happened each of the days that preceded
this one. But it would take very little, a letter,
a message, a phone call, a surprise visit from
my brother or an old friend, to turn my assumptions
upside down. If I want to greet this old friend
with love, I must lose my assumption of how the
day ought to have gone. Poetry, then, is the practice
of welcoming these old friends, and new ones,
too, with arms wide. A persona poem forces our
faces to fit a strange mask and our features,
then, become more malleable, more vivid and alive.
I find, too, that instead of becoming less myself,
when I write in a strange voice, I become more
myself. Whitman says he is large, he contains
multitudes. The end of every poetic career might
end with such a revelation.
Here is a poem written in the voice of St. Therese
of Lisieux. It is the first of a longer sequence
of poems based on the saint's last conversations
with her sister. The sequence I call "The
Little Flower."
It takes so little to restore
an empty well. Throw a stone,
make a wish, close your eyes
and listen. That is your name!
When God calls you,
it should be a surprise, and I suspect
there is a moment, when everything
you hold to be the truth rushes away.
That is the last gift we get on earth.
Or it is the first of heaven? Yes.
Even the ascetic isn’t expert enough,
who practices silence and learns to be alone.
Adam
Penna's poems have appeared in magazines, journals
and anthologies. He teaches writing and literature
at Suffolk County Community College and holds an
MFA from Southampton College. He lives in East Moriches,
NY with his wife. Two collections are forthcoming
from Finishing Line Press and S4N Books. He is the
editor of Best Poem, an online journal publishing,
not necessarily every day, a poet's best poem.
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